Hello everyone, its Christmas, or so it appears in rickety old
Kolkata now that
Durga Puja is in full swing. The town has been taken over by lights and shoppers, eager to be ready in time for the festival. The actual festivities involve walking around "trick or treat" style to visit the many temporarily erected shrines to the
Goddess Durga who slayed "
Asura" to reestablish peace and sanctity for all. The shrines range from the dramatic to the
caricaturesque with all themes and mediums in between. Amanda was recently reading about one
eco-friendly shrine, erected by a group of students, that won an award and praises in the press for its design. The ones we got to see included small, local shrines made in the traditional reds, oranges, and golds, a
handful of
bizarre neon stands with mechanical tributes to Britney Spears and the popular "Three Idiots" from the more popular feature film, one Egyptian themed pyramidal shrine, with
Durga represented as an Egyptian
Pharaohess( I know I'm making up words as I go but India has a way of invoking its own lexicon), a couple of decked out, regal shrines complete with fancy chandeliers and heavy traffic at little fairs in which we got to ride the sketchier incarnations of dragon rides and
Ferris wheels. One of my personal favorites was one done entirely in white with the exception of the faces of
Durga, her beasts, and her victim, thereby
heightening the tension encompassed by this epic moment and highlighting the
dramatism of each figure's expression. All modes of Indian expression seem to carry with them this high drama, this need for color and
embellishment, be it a
Bollywood movie, a traditional dance, a mystical prayer, or the laments of a beggar trying to inspire pity in a couple of naive foreigners, however no place that we've visited so far comes close to the pure, unadulterated carnage and chaos of
Kalighat, a temple for Kali, the
goddess of destruction, where the tension is literally "cut through with a knife" each time a goat is slaughtered to the booming of drums and the violent exclamations of violent worshippers.
Inside
Kalighat, or under
Kalighat, in a tiny alleyway separating the throngs of
Hindus making offerings from the... I hesitate to call them priests but the men more or less
receiving the offerings and crowding the black plastic shrine itself, is where we found ourselves. Looking up at the chaos and being flanked and bombarded by people passing or jumping down from the temple "just to see that tiny plastic figurine...it is Kali, right?" says
Tiana skeptically after getting a sight of "that little thing" that everyone is fuzzing or more like
frenzying over.
Oddly enough, seeing a goat slaughtered is hardly the craziest thing we've witnessed, taking into account the organized ritualistic mode in which it was performed. What seemed more scaring about it was looking at a live creature and knowing it was about to be dead for some and seeing the severed head gushing blood in one corner while the twitching body kept moving for what felt like an eternity in the opposite side of the pen. An odd family affair, this butchering, but the temple was nonetheless crowded by entire families with children and babies
embellished with eyeliner, black
bindis and all. We saw worshipers put their head between the two little pillars where the goat was later decapitated and men breaking coconuts, splashing the contents and breaking the shell as a prelude to the massacre. My natural instinct was to hide behind
Tiana and close my eyes, India is a lot like that, it throws shit your way without really giving you time to think about
how you want to act so all you have to fend for yourself is your gut reaction.
Defenseless in the face of clashing consciousnesses, all crowding the space and making navigation in both the physical and
spiritual sense
dizzying and all but impossible. JUST NOW
Titi and I were forced to leave this computer so as not to miss a throng of dancing men accompanying a statue of
Durga that is about to be disposed of somehow and we wonder, in lieu of a holy river, what creative option will be coined. In terms of clashing consciousnesses we now find ourselves in
Bodhgaya, the
birthplace of Buddhism, where most of the team sits and meditates in a peaceful
gompa with monks, nuns, and
sanghas, at the Root Institute, just a rickshaw ride away, separated from us and the
Durga commotion by a
handful of monasteries and temples crowded into this tiny town.
Other highlights include:
John, our "FRIEND NOT
TOUR GUIDE," falling off of a moving bus as he attempted to get us home safely after herding us around the
Kolkata Pujas.
Most of us projectile vomiting within a day and half, I'll refrain from going into the details, we're all okay now. (This is also the reason why my blogging was delayed, and for that I sincerely apologize.)
Finishing our volunteer work and being left with all the lingering questions that such work inspires.
And just all around having to watch our heads, our belongings, where we step, where we eat, where the rest of the group is, where we're going, and where we are, not to mention the moving traffic and occasional cow.
(Hola Ma, Hola Pa! Estoy en India!)
Cheers!
Andi